How do you write original and gripping
Writers wonder: What exactly are plots? How do you write them? How do you structure them? Where do you get your
ideas from? How do you make them original? How do you make them compelling for the reader? How do you pace your stories?
Put very simply: Plot is what happens in your story.
It’s the what and how of a story, rather than the who (the characters), the
why (the theme), and the where and the
when (both of which make up the setting).
However, it's very important to state that plot isn’t just a lump of unconnected events. It’s a
series of events, each of which arises organically from the one before. It’s fundamentally linked with
your character’s personality, as the choices she makes will be a function of her personality - and the choices made
lead to the next event in the plot series. (This is why you can have a finite number of plots and yet have an infinity of stories.
So, plot is inextricably linked with character. The plot is what happens to the characters, and what the
characters do. You cannot have one without the other.
Having said that, some stories are plot-driven and some are character-driven.
In extreme examples, thrillers are often extremely plot-driven. The story is all about what happens, and the
characters are not fully developed. The characters, indeed, are more like cardboard cut-outs, just along for the
ride. They’re not real people to us, and their characters don’t evolve much - if at all - during the story (i.e.
they have no character arc. They often start the story as already very
competent men (it’s usually men) who don’t need to evolve in order to reach their goals.
The plots are dramatic, eventful, high-stakes, full of excitement. The Indiana Jones films are an
excellent example of this kind of story, with the minor exception that Indy gets over his fear of snakes. Or even
better, James Bond would be a classic example of this.
On the other extreme, literary fiction is often intensely character-driven. Not much happens, but there’s a good
deal of character development. The character may not resolve her dilemma, but will come to a new understanding of
it, or acceptance of it.
But, to my mind, the best stories are those in which character and plot are finely balanced, where each depends
upon the other, where both are richly developed and interesting, where lots happens but it happens to fully-written
and evolving characters who seem real to the reader.
A very good example of this is in what is possibly my favourite novel ever: Daughter of Lir by Diana
Norman. The plot is absolutely rich and compelling, but yet the characters are so real that they lived in my mind
and my heart long after I finished the story. Indeed, when I went to a real place which had been a setting for the
story, I found myself thinking: Oh, so that’s where such a character experienced such an event, only to
shake myself and remind myself that it wasn’t real!
That’s so what I want to happen to my readers!
To learn more about plots and plotting, check out the pages listed below (I suggest you start with the first
one; the others can be read in any order you choose).
Before you do that, though, I invite you to check out the following highly recommended resources.
I also invite you to check out my information on software for
writers, which is all about helping you with your plots.
Further information on plotting:
If you're serious about getting your plotting right, then you absolutely need Holly Lisle's
A Plot Clinic. 200 pages of specific, easy-to-follow tools and techniques on
coming up with intriguing and interesting plots - all for $9.95. I also absolutely recommend her
Character Clinic, also only $9.95.
Or buy them both, along with Create A Language Clinic and Create A
Culture Clinic, as Holly Lisle's Writing
Clincs Bundle for a discounted $34.95.
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